The studio
Five steps from a bag of clay to a glazed pot.
The studio is a converted coach house behind the mill, with two wheels, a bisque kiln and a glaze kiln that runs about once a fortnight.
The five stages
Wedge and throw
Clay is wedged to push out air, then thrown on the wheel into a rough shape. Bowls and jugs are thrown in one piece, so there is no seam to crack later.
Trim and dry
Once leather hard, the foot is trimmed and the surface finished with a rib. Pieces dry for about a week, under plastic at first, so they do not crack.
Bisque fire
The first firing, to around 960°C, makes the clay hard and porous enough to take glaze evenly.
Glaze
Glazes are dipped or poured in one or two layers. On cobalt and ash, the rim is wiped back so a line of clay shows through.
Glaze fire
The final firing, to 1,260°C, melts the glaze into a glass-hard surface. Each kiln load is logged, and every piece is checked before it leaves the studio.
Stoneware rewards patience. Most of what goes wrong is decided before the glaze goes on.
Hettie Marr, maker