The studio

Five steps from a bag of clay to a glazed pot.

The studio is a converted coach house behind the mill, with two wheels, a bisque kiln and a glaze kiln that runs about once a fortnight.

The glaze kiln with its door open and bowls standing on the floor either side

The five stages

  1. Wedge and throw

    Clay is wedged to push out air, then thrown on the wheel into a rough shape. Bowls and jugs are thrown in one piece, so there is no seam to crack later.

  2. Trim and dry

    Once leather hard, the foot is trimmed and the surface finished with a rib. Pieces dry for about a week, under plastic at first, so they do not crack.

  3. Bisque fire

    The first firing, to around 960°C, makes the clay hard and porous enough to take glaze evenly.

  4. Glaze

    Glazes are dipped or poured in one or two layers. On cobalt and ash, the rim is wiped back so a line of clay shows through.

  5. Glaze fire

    The final firing, to 1,260°C, melts the glaze into a glass-hard surface. Each kiln load is logged, and every piece is checked before it leaves the studio.

Hettie Marr sitting at the wheel with a bowl in her lap

Stoneware rewards patience. Most of what goes wrong is decided before the glaze goes on.

Hettie Marr, maker

Come and see the wheel turning.

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